![]() Persepktif Citra Wanita Dalam Kumpulan Lirik Lagu Dangdut Modern Periode Tahun 2015. Penahbisan guyon saru dalam arena pertunjukan wayang kulit purwa di DKI Jakarta = The consecration of guyon saru in the field of Javanese shadow puppet theater in Jakarta. Balai Bahasa Kalimantan Barat: Tuah Talino Volume 12 Nomor 1 Seksisme Dalam Lagu Bojoku Galak Via Valen. Unspeakable Inequalities: Post Feminism, Entrepreneurial Subjectivity, and the Repudiation of Sexism among Cultural Workers. Overt sexuality in advertising: A discourse analysis of gender responses. 1 Color Photograph.Įlliott, R., Jones, A., Benfield, A., Barlow, M. ![]() (2020).Visual Pleasure in Women's Bodies within Indonesian Dangdut Musical Scene. Journal of Social Studies Education Research, 10(3), 311-331.ĭwiniscahyaningtyas, Natalia Suwito, Kandi Aryani. Pedagogical Values in Indonesian Lyrics of Dangdut Songs: Evidences of Language Vulgarism and Gender Exploitation. 37-69.ĭewi Kusumaningsih, Djatmika Djatmika, Riyadi Santosa, H. Bijdragen tot de Taal-, Land- en Volkenkunde 176(1), pp. University of California, Riverside, United State. Univercity of California, UC Riverside.ĭecker, A. ![]() Performing Gender to Dangdut’s Drum: Place, Space, and Infrastuktur in Indonesia Popular Music. Unair: Fisip, komunikasi.ĭecker & Louise, A (2016). Kenikmatan Visual (Visual Pleasure) Terhadap Tubuh Perempuan Dalam Musik Dangdut Indonesia (Studi Analisi Resepsi Terhadap Khalayak Penonton Demo Klip Duo Serigala). Universitas Kebangsaan Malaysia: Malaysia Journal Of Comunication.ĭwiniscahyaningtyas, Natalia (2016). ![]() Citra Wanita Dalam Perkembangan Muzik Dangdut Di Indonesia. 66-70.Ĭhaniago, Rizki Hafiz & Hasan, Fauziah Kartini (2016). Trappings of femininity: A test of the “beauty as currency†hypothesis in shaping college women’s gender activism. This study uses a qualitative method with data collecting that consists of interviews with 5 female singer actors within dangdut orchestran music industry Alta Musik PugungĬalogero, R.M., Tylka, T.L., Donnelly, L.C., McGetrick, A., Leger, A.M. The stereotype role of a women’s sex and objectification both on the paper or visually can impacts her in social culture system, the self-sexualization of a women actor creates an instruct representation in public. Using the social praxeology concept by Bourdieu, this research argues that female singers are dominating actors in terms of dangdut music industry’s growth, though their own positions are not always special, and often enough, at its rock bottom. Specifically, it tries to explain the knowledge, involvement, capacity and empowerment of a female singer acting in carrying songs containing what is considered vulgar values or not. This research aims to explain the empowerment and capacity of an actor in dangdut music industry. Empowerment, Capacity, Female Singer, Dangdut Music, Music Industry Abstract ![]()
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